Façade III: Red Oxide, detail
The first time I had ever heard of the idea of working in a series was a long time ago – maybe 1999? – when I attended Nancy Crow’s Sets & Variables and Improvisations classes back-to-back at the High Peaks camp in Estes Park, Colorado. This was full-immersion exposure to the […]

As Lisa astutely pointed out, many of my works have refrigerators in them, and of course, even more revolve around food.
In my artist’s statement, I’ve given a rather long-winded explanation about how my current series and the character PaMdora evolved. But a more casual explanation is that everyday concerns just have a way […]

When I created Orange Construction Fence Series #1, I had no idea that I would be beginning a series of work that would consist of 58 pieces and counting. Orange Construction Fence Series #1 was a monoprint of one construction fence that had some hand stamping, and some small pieces of monoprinted fabric of another […]

Lisa, as curator, asked me to write about why I work in a series and here is my answer:
My Catacombs series is not yet finished. So far, I’ve made 20 pieces and I still have sketches for more. Every time I think I’m done, I see something, a building perhaps, and that leads me to […]

When I was asked to curate a textile art exhibit at the Lux Center for the Arts in conjunction with my solo show I knew I wanted to include artists who work in a series, with each artist having a distinct voice. The resulting show will demonstrate both the depth and breadth of the […]